Misinterprotato and The Gentle War

8 out of 10: A fine, inventive jazz record

A brilliant Coltrane record is still a brilliant Coltrane record. The music hasn’t changed; what the kids are to listening to has. Jazz used to be the “noise” kids listened to that their parents couldn’t understand. Now jazz is the “noise” that parents listen to that their kids can’t understand.

It’s unlikely then that Misinterprotato, a Brisbane piano, bass and drums trio, are ever going to lock in a place on Triple J’s Hottest 100. Despite a number of their songs featuring nods to modern-day indie rock, The Gentle War is still a jazz album – and refreshingly so. It’s energetic, full of movement and rhythmically inventive, a far cry from the staid version of jazz that befouls the genre’s reputation. What impresses most is the album’s constant play — no drum beat settles without textural fills, no bass pattern remains on repeat, the piano doesn’t just vamp over a chord. Even on the slower numbers, the instruments feed off each other, guide each other.

Wrestle is perhaps the standout, a song that highlights the band’s strengths: a masterly control of dynamics, piano that is both melodically and rhythmically appealing, and Pat Marchisella’s sublime bass, which, just like Mingus’s, is sometimes aggressive, always majestic.

Generally speaking, the album is best when the band works more as an ensemble. Sync and especially Tailgater demonstrate how well Misinterprotato can create so much of interest to the ear, the instruments interweaving rambunctiously across ebbing and flowing passages. Time buttresses the same point from the opposite direction: it’s mostly a solo piano piece that fails to fire without the band’s inventive interplay.

The Gentle War is a fantastic record — a happy change from what the litany of guitar, bass and drum rock trios are offering around the traps, and far more interesting to boot.

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